ስዕል:Mary I of England, 1516-58 and Philip II of Spain, 1527-98 RMG BHC2952.tiff

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anonymous: Mary I of England, 1516-58 and Philip II of Spain, 1527-98  wikidata:Q50899669 reasonator:Q50899669
አርቲስት
image of artwork listed in title parameter on this page
አቅራቢው
British school, probably after Lucas de Heere
ርዕስ
እንግሊዝኛ:
Mary I of England, 1516-58 and Philip II of Spain, 1527-98 Edit this at Wikidata
title QS:P1476,en:"Mary I of England, 1516-58 and Philip II of Spain, 1527-98 Edit this at Wikidata"
label QS:Len,"Mary I of England, 1516-58 and Philip II of Spain, 1527-98 Edit this at Wikidata"
Object type painting
object_type QS:P31,Q3305213
ማጠቃለያ
English: Mary I of England, 1516-58 and Philip II of Spain, 1527-98

This double portrait is a copy, though with some differences, of the panel painting of 1558 at Woburn Abbey, traditionally ascribed to Lucas de Heere.

Mary is seated full-length on the right, facing to the left in a black overdress with fur on the sleeves and gold brocade embroidered underdress, with the headdress of the 1550s. Her facial characteristics, which do not resemble other portraits of Mary, have been intentionally idealized to flatter the sitter. Philip is standing on the left facing to the right in a black doublet and hat and white hose. He is wearing the Order of the Garter. The couple are portrayed in a room, physically separated by a window with an open casement, through which is a view of St Paul's and the Thames.

Mary became Queen of England and Ireland in 1553. The following year, against the advice of her councillors, she married her first cousin, Philip of Spain, son of the Holy Roman Emperor Charles V. The inclusion of two chairs of estate indicates the fate of several nations attached to this union. In a dynastic gesture, Mary holds a rose in her right hand as she sits beneath the arms of England. Philip stands in front of his throne. The inscription above the open window, though not entirely legible, celebrates the extent of the sitters' combined domains.

The composition of the double portrait and the presence in the foreground of two lap dogs as attributes of marital fidelity imply that this may be a wedding portrait, although the positioning of the dogs manifests unease. It is conceivable that the Woburn picture was itself derived from an earlier work produced at the time of the sitters' marriage in 1554.

They are richly dressed and the embroidery of Mary's dress is complemented by the tooled leather wall decoration. The bodies are awkwardly placed and the heads portrayed are too large to be supported by them. The composition and the steep pitch of the chequerboard floor underscore the implication of unease in this portrait, which is more a statement of union between nations than of two individuals.

Mary I of England, 1516-58 and Philip II of Spain, 1527-98
ቀን 16 century
date QS:P571,+1550-00-00T00:00:00Z/7
Medium oil on canvas Edit this at Wikidata
Dimensions Frame: 1271 mm x 990 mm x 64 mm;Painting: 1061 mm x 774 mm;Weight: 20 kg
institution QS:P195,Q7374509
Current location
Accession number
BHC2952
Notes This object was sighted as being on display during the Collections Inventory Project (2001-2005). It will need to be checked for object numbers and its condition activity updated
References
Source/Photographer http://collections.rmg.co.uk/collections/objects/14425
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(Reusing this file)

The original artefact or artwork has been assessed as public domain by age, and faithful reproductions of the two dimensional work are also public domain. No permission is required for reuse for any purpose.

The text of this image record has been derived from the Royal Museums Greenwich catalogue and image metadata. Individual data and facts such as date, author and title are not copyrightable, but reuse of longer descriptive text from the catalogue may not be considered fair use. Reuse of the text must be attributed to the "National Maritime Museum, Greenwich, London" and a Creative Commons CC-BY-NC-SA-3.0 license may apply if not rewritten. Refer to Royal Museums Greenwich copyright.
Identifier
InfoField
Acquisition Number: 1935-1
id number: BHC2952
Collection
InfoField
Oil paintings

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This is a faithful photographic reproduction of a two-dimensional, public domain work of art. The work of art itself is in the public domain for the following reason:
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This work is in the public domain in the United States because it was published (or registered with the U.S. Copyright Office) before January 1, 1929.

The official position taken by the Wikimedia Foundation is that "faithful reproductions of two-dimensional public domain works of art are public domain".
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